This Chekhov play centres around a man who struggles to get his life back on track and regain his former glory. When his first wife dies he is publicly accused of marrying his second just for her generous dowry. This is a new translation and adaptation by Cynthia Marsh.
CAST
Ivanov
Rob Goll
Anna Petrovna
Joanna Hoyes
Shabelsky
Marcus Wakely
Borkin
Mark Gadsby
Lvov
Daniel Potts
Lebedev
Hugh Jenkins
Zinaida Savishna
Sue Drew
Sasha
Gina Radford
Babakina
Michelle Smith
Avdotia Nazarovna
Carole Barton
Piotr
James Whitby
Gavrila
Malcolm Wilson
Guests
Lorna McCullough
Marie Morehen
Sophie Owen
Cosima Santoro
David Watts
James Whitby
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"Ivanov"
Nottingham Lace Market Theatre
I've never really been a fan of Chekhov so it was with mixed emotions I took my place at the Lace Market Theatre for one of his lesser performed plays, and a comedy as well.
Knowing the calibre and the past roles of many of the actors, I was confident that the night wouldn't be totally lost on me. Slowly but surely I warmed to the play, mainly due to the comedy and the talents of the cast.
Chekhov wrote the play in 10 days after being commissioned to write a comedy. Initially Chekhov disliked the play so re-wrote it and, like myself, warmed to it. I can't believe that Chekhov and I have the same theatrical leanings!
For the past five years, Ivanov has been married to Anna Petrovna, but she is now dying, unbeknown to Anna.
The doctor, an 'honest' man as he frequently reminds the rest of the cast, informs Ivanov that his wife is dying of Tuberculosis, and that she needs to recover by going to the Crimea.
Ivanov is unable, and unwilling, to pay for the trip as he is heavily in debt. Ivanov is criticised for heartlessness and for spending time with friends, the Lebedevs instead of his seriously ill wife.
Sasha, the daughter of the Lebedevs, is infatuated with Ivanov. She throws herself at Ivanov and he is unable to resist: the act concludes with the two kissing. Unfortunately, Anna arrives unexpectedly at just this moment and witnesses the betrayal.
It all ends very dramatically!!!
Playing Ivanov is Robert Goll, an actor who is just as at home performing Shakespeare as he looks playing Dame in panto or Hector in The History Boys. Regular review readers will see that I hold Mr Goll in high esteem and playing this troubled and melancholic Russian is just another classy piece of theatrical success to doff my reviewing cap to Rob. Always a very natural actor, the words and the comedy just spill from his mouth as if they were his own words.
Joanna Hoyes plays the long suffering Anna, and once more a lovely naturalness about this performance, and by Act Three, she really is not looking too well, Anna that is not Joanna. A passionate performance.
I loved the quirkiness of Marcus Wakely's performance of the Uncle Malvei.
Mark Gadsby entered as a fun character, up for a laugh as Ivanov's estate manager, Borkin by putting a gun up to Ivanov's head whilst reading and then he became more serious when he found out about Ivanov's financial situation. A nice character turnaround.
The "honest" doctor is played by Daniel Radcliffe lookalikey, Daniel Potts. Another clean cut performance from Daniel with plenty of fire in his speeches.
The Lebedev family are played by Hugh Jenkins (Pavel), Sue Drew (his wife) and Gina Radford (Sasha). Really good performance by all but loved the final scenes with Gina (no spoilers here!!).
The classic "over the top" character is a wealthy widow called Marfa, who provided a great deal of comedy,and frontage, and was played by the lovely Michelle Smith. What a costume!
Other cast members were Carole Barton (Avdotia), James Whitby (Piotr), Malcolm Wilson (Gavrila), Lorna McCullough, Marie Morehen, Sophie Owen, Cosima Santoro and David Watts as Guests.
Directed by Cynthia Marsh, she retained the comedy and pace coming just right, and as a non Chekhov fan, even I was entertained.
Rose Dudley designed the set which reflected the era and financial status of the families well.
Giving atmosphere to the piece was a subtle sound scape and design by Matthew Allcock and lighting, designed by Hugh Philip.
I part mentioned the costumes earlier but they were really rather magnificent.
I'm not going to say that this is going to be one of my favourite plays performed by the Lace Market Theatre but you have to acknowledge that it was probably a bit of a risk, not being the most well known of plays, Theatre is all about taking that chance and introducing plays like this to the mainstream theatre goer.
It may not be in my Top 10 but it was by far not the most un-entertaining couple of hours I've spent in a theatre. And I must add a thank you to whoever was in charge of the air conditioning as it was lovely and cool in there tonight.
Read the original article here.
Ivanov at the Nottingham Lace Market Theatre - Review
At last, courtesy of the Lace Market Theatre, we have an opportunity to experience a Chekhov play as he wrote it.
There are no directorial gimmicks, no pointless shifting of location or period, and no patronising attempt to make it "relevant". The play is allowed to speak for itself. Ivanov is simultaneously comedy and tragedy. And it's also a profound study of a man's clinical depression. It couldn't be more relevant.
All this is enacted against the same social backdrop Chekhov was to use in later, greater and better-known works. This is remote, small-town provincial Russia in the fading years of the Czarist regime. The land-owning gentry are drifting; aimless and increasingly anachronistic. And above all they are bored.
Cynthia Marsh's translation – she also directs – brings out all the vigour and realism of the original text. And back projection and Russian background music are used with admirable taste.
In a production of terrific performances Robert Goll is outstanding as protagonist Ivanov. He commands the stage. And not only with his superb voice, used splendidly in his soliloquies – soliloquies are an important element of the play. This is a man widely reviled as a liar, who is actually too honest for his own self-interest.
Joanna Hoyes is heart-rending as his lovely wife Anna, a dying woman who has given up her Jewish faith and parents for a man who no longer loves her. And Daniel Potts, as well-meaning but self-deluded and pompous Dr Lvov, delivers a striking performance.
Marcus Wakely (Matvei) and Michelle Smith (Marfa) are tremendous fun. So is Malcolm Wilson, in a scene-stealing cameo role as resentful old retainer Gavrila.
Back projection and background Russian music are beautifully done.
This is an all-round LMT success, not only for Cynthia Marsh but for all concerned. It's not to be missed.
Read the original article here.
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